Let’s talk about failure!
I had a speech.
You’ll probably never hear it. (Read more to find out why!)
It was full of stuff like, “Failure isn’t death; failing to try is.”
Buuuut I kinda have to call bullshit, ‘cause when I walked onto the stage for my opening show and saw the ten people who showed up, I was crucified.
Failure does kill you, just not permanently. You have to climb off your cross. Clean up. Go home. Try again next time.
My speech was all about the failure of my last book but failure was staring me in the face in real time and I’ve had enough failure for a lifetime.
People are telling me to hustle and that it gets better but I’ve been hustling and waiting for things to get better my whole life, and I’m tired!!
This is the time when other Fringers post photo albums and say what a smashing success it all was, and that’s nice, but I want to be honest about how hard this is and how sensitive I am because that’s what it is to be an artist. You’re this open, gaping hole.
And yes, I need better boundaries. But this is also just what I do, who I am.
I am hopeful.
But hope is hard.
I want to believe my weird words can make difference.
But some days, I need a little more proof.
Sometimes, you don’t get it.
Sometimes, you do.
‘Cause when I walked onto the stage for the SECOND show, it was like a resurrection.
People actually showed up!
I got nervous!
I even forgot a line!!!!!!!!!!
But if I had to choose between the jitters of exposure and the peril of irrelevance, I’d choose the former every time.
It probably helped that I ran around giving away free tickets: I had met two of the couples in the audience a mere hour earlier.
Fringe was a madness of moments. All a flurry. Synchronous. In the flow of life and how it breathes. And forever on the edge of death.
The first performance, I saw the hustle, the desperation, the ugly loneliness and painful mediocrity that plagues many an artist in this machine-eat-poet world.
The next time, I saw the light. Walked with friends who showed up to support me. Felt love. Felt loved.
“I dare you to imagine a future better than your past.” If you’ve seen my business cards, or received an email from me, you know that line pretty well by now.
We have to imagine a greater place than where we’ve been or where we are. Otherwise, how will we have the courage to continue? Or do better.
It’s HARD to go out every day, or every other day, trying not to compare (but comparing anyway.) Every day hoping, but not knowing. Dreaming dreams you may or may not have the power to bring to life. Knowing you have to dream anyway.
The third day started… weird. I went down early with a friend who was too shy to help me hand out tickets and after having free tickets awkwardly rejected by one couple, I slunk back into devastated. Sat in grass. Tried to remember that feeling called confidence.
But then Milo, my lighting person, showed us a stick an unhoused person gave them, and they promised me shit was weird today, but it was GOOD weird.
Me, Milo, and Kris (my sound person) talked about life and love and death anxiety and we had to rush to open the doors and it felt like everything would be okay.
And it was.
The audience TRIPLED since the first show!!!
Two thirds were people I DIDN’T EVEN KNOW!!!
Best yet, an incredible local writer/performer (and beloved connection) Some-Sum attended, and helped set up the audience for a much lighter vibe. People found the humour in the darkness. They laughed!!! Which meant I didn’t need to cry. It was the first night I didn’t produce tears for How A Resurrection Really Feels, but it felt just fine.
More walks with friends, new and old, post-show. A bus ride home with my bestie.
Hope. Rekindled. And alive.
Tired, too. Ready for it to be over.
But with three more shows to go (and promo too!) you have to keep on walking.
(And get your rest.)
Ofc, the fun thing about art is it has this great habit of killing you right when after you get back up.
The fourth show was almost as bad as the first. Except for the sweet older couple (Lynn and Lester) who talked to me afterwards. They said it was everyone else’s loss that they weren’t here.
They called my writing beautiful.
It’s rare that people see the beauty in this mess.
For that/them, I am grateful.
I went to buy a chocolate bar and left chocolateless ‘cause $8 is too expensive a sad indulgence on an artist’s budget. Especially when 2/4 shows had half the audience originally expected.
Fucking yo-yos! Is it too much to ask for a straight line? Some solid ground to walk on?
Something?!
Something.
FIFTH night. I switched back and forth between my Fukit, It’ll get better, and You Got This playlists until I resembled a person. I put on my boots and my dress and flashed my Fringe pass for a free bus ride.
I showed up.
THE SHOW (ALMOST) SOLD OUT THAT NIGHT.
Weird night for such a full house. And they actually let in latecomers?! And me, exhausted, all fresh from crying in the shower, and the tears kept coming and the shakes did too but I showed up and kept showing up because PEOPLE SHOWED UP FOR ME.
It was Fuckit and It gets better and You Got This all rolled up in one but what really made my night were all the hugs afterwards.
I SO needed those.
Night out after with more friends. The kind of night that makes me go, Oh, shit, I remember this.
Remember when life was fun?! EASY?! Remember when things made sense.
Frank’s Pub just in time to order (amazing) food. A long table of pals chatting and laughing the time away. Some home after that, the rest of us off to see Funkafeelya at Blues on Whyte which will probably rank as one of the best vibe shows of my life. And one of the best nights for dancing.
The last night. Well, day. 3:30 PM. Grabbing gift cards for Kris and Milo. Ready to be over. Ready to be… something.
The last night (well, day) had its problems! A playlist that wouldn’t behave. A video camera that wouldn’t behave, either. (It cut out during the ONLY PART I WANTED TO UPLOAD TO YOUTUBE.) Weird, rando no-shows who I KNOW bought tickets?! And a couple actually left during the final piece (which, honestly, lit a fucking fire up in me.)
But none of it mattered, not really.
‘Cause it was FINALLY DONE.
And I was as grateful for being finished as being given the opportunity.
To all the strangers I didn’t know, or the folks I didn’t recognize, or friends who showed up but didn’t say hi (whether belatedly or irl): THANK YOU FOR BEING THERE. You fill up the room/my heart. I appreciate you.
As for the friends who showed up and gave hugs/hung out/otherwise made your presence known, THANK YOU (and so sorry if I’m forgetting anyone, or misspelling names!)
1st good night (20ish people):
Chris B
Victoria
Kaylee
Olesa
Ashlee
Mark
Chloe and Michael of the Witch of Edmonton (who sat front row!)
Art and Rachel
Ed (the volunteer who told me I matter)
2nd good night (30ish people):
Patty and Dee
Ryan (Some-Sum)
Chris T
Adam
Sean G
Anita and Travis
Phillip and Andrea
Jeff
3rd good night (45- almost sold out!!!):
Shawn (who was actually there TWO nights!!!)
Nathan
Alan
Dan
Murray
Kim and Chris
Cole Carlee Savanah Mackenzie Forrest
Nichole and Jake
Jordan and Mia
Raymond
Barry
Faris
Dawn and Foster
Chris (CS)
Carolyn and Mark
Marc and Sean
4th good night (30ish people again, would’ve been more but lotsa mystery noshows):
Sterling and Barry
Auntie Rose!
Angela (my pole instructor!!!)
Frank, dear Frank
Andrew Wade of Silly Poems for Awesome Adults
Sahhara
Cassandra
Jane
Marcus
Jeffrey Matucha (who flew up all the way from Nevada)
my sis!! (who drove up all the way from Calgary)
Dylan!! (what a nice surprise!)
Dylan’s friend! (don’t know your name but you were a fucking sweetheart)
And of course, thanks to who all showed up on the two BAD nights too!!! Gordon and Susan, Andrew Hamilton of Kaliban, Estel, Merik, Bill, not to mention Jared and my mumndad who basically went to EVERY SINGLE SHOW!!!
And for the out of towners who were cheering me on, who even bought tickets knowing they wouldn’t be able to use em: I so hear/need/see your support, even from far away. ❤
As for the local pals who didn’t show. Couldn’t find the time/spoons. Said they’d try but couldn’t quite hack it. Said they would then disappeared. Sent apologies.
I’ll admit, that’s hard for me. I’m pouring my blood, sweat, tears and soul into this, and all I’m asking for is some support. When people show up, it means the world to me, and that’s not exaggerating. It makes me realize people care. It keeps me going another day, or another year.
Buuut… I DO get that life happens. ❤ (And ofc expectations differ if we’re not very close.) (AND, honestly, if you tried to come but were late and got locked out, I’m sooo sorry!!! Thank you for trying!!!)
Annnnnd…
after ALL that.
The aforementioned blood, sweat, tears, etc. The exhaustion. The breakdowns. The doubt. The anxiety. The genuine tears, on stage and off.
I got…
four hundred dollars
from Fringe.
Less than HALF of what I was expecting.
Not even enough to cover my car insurance.
Annnnd
just when I was ready to throw myself off something I realized I should email to follow up and, YEP, a second payment was still on its way. (Which turned out to be a SHOCKINGLY SUBSTANTIAL PAYMENT!!!)
FUCKING
PHEW.
THAT experience, more than any other, summarizes Fringe. FFS to Oh wait to Nvm, it’s all gonna be okay.
When I was super low about low turnout, I talked to lots of amazing friends, and they were kind/encouraging, but they didn’t quite understand.
My Ketu is in my 10th House.
In laymen’s terms, I’m fucked.
Basically, my shadow likes to sabotage me anytime I’m centre stage, but centre stage is crucial to my very being! And pretty damn essential for my art.
My art is so close to my heart that it’s me.
So when my art is rejected, or ignored, it feels like my rapes, my humiliations… don’t matter. Or are okay.
Same with the other stuff I write about. Homeless teens on busses, girls jumping off bridges, stories I know need to be told.
This excruciation called Fringe helped me realize that having my Ketu in my 10th house DOESN’T mean I’m fucked.
I JUST NEED TO GET OUT OF MY OWN WAY.
Stop having something to prove; instead, have something to live for.
If I can make this not about me (despite my work being acutely personal)…
if I can truly trust…
truly let go…
it’ll all be okay.
We SHOULD talk about failure. And death. And heartbreak. Because these things happen, and how they impact us is IMPORTANT.
But it’s not all about that.
Nor is at all about success, love, and life’s vibrancy.
It’s just the moments.
Magically running into Andrew. Magically running into Chris B so he could hang with us after the show. Making accidental friends. Those group hugs, that dance floor. The volunteer who complimented my cowboy boots.
Crying with J under a beautiful tree.
It’s all this, all the time. It’s the rushing and the stillness, the growth and the decay. It’s missing him EVEN AFTER EVERYTHING. It’s hunger, it’s fullness, it’s cravings and being overfed. It’s puke and guts and spit. It’s the smell of trees and being scared they’ll cut them all down. It’s being tired, asleep, and awake. It’s waking up every day because we MUST be here for a reason, even if that reason is just this.
To be.
I used to live like that all the time! Life was an open book, a series of moments ever unfolding.
Somewhere along the way, that changed.
I want it back.
I want to keep creating.
Keep journeying.
I want to find a way to support myself- financially, and emotionally.
I want a home and a family and a legacy.
I want true love, and true success, however that looks for me.
Will I ever get it?
I don’t know.
One thing I DO know:
Hope is hard.
But it’s necessary.
Thanks for being here with me. ❤
PS To all the folks who have sent me lovely emails/messages and haven’t heard replies: I see/hear/appreciate you- just getting my correspondence mojo back. 🙂
PPS I WILL try to salvage the failure speech and perhaps still upload the full one woman show to YT despite it having the invariable glitch gaps- stay tuned!